Such reflectiveness was also inescapable in Francis Fay’s opening-night performance, the Knight of the Mirrors (2019), borrowed from Cervantes’s Don Quixote, in which Fay loitered absurdly outside the building’s entrance, wearing a white suit with trailing sleeves and trouser legs, with mirrors for his face and hands.
https://visualartistsireland.com/social-commonsWednesday, July 03, 2019
‘Social Commons’ Review
Such reflectiveness was also inescapable in Francis Fay’s opening-night performance, the Knight of the Mirrors (2019), borrowed from Cervantes’s Don Quixote, in which Fay loitered absurdly outside the building’s entrance, wearing a white suit with trailing sleeves and trouser legs, with mirrors for his face and hands.
https://visualartistsireland.com/social-commons
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